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Mahari Chabwera: “They Burned our Drums, So We Drummed Our Bodies”

2025 , BHMVA

Mahari

 

Mahari Chabwera (born April 11, 1995) makes tapestry paintings at the intersection of mysticism and self-mythologization. She utilizes beads, oil paint, mica, cowrie shells, tempered glass and fabric as painting elements. Employing womanist principles, her work explores the nature of being and the function of the self.  

Chabwera graduated from Virginia Commonwealth University with a BFA in Painting & Printmaking. In 2019 she was awarded The Virginia Museum of Fine Arts Professional Fellowship, and in 2020 she received the Visual Arts Center Emerging Artist Award. In 2021 Chabwera founded Studio House, a live + work space for artists in East Baltimore. In support of the project she was awarded The Grit Fund from the Peale Museum, along with a Maryland State Arts Council Creativity Grant. Chabwera’s work has been acquired by the Reginald F. Lewis Museum, and commissioned by The University of Virginia for their permanent collection. She has participated in residencies with The Contemporary Arts Network and Vermont Studio Center.  

  • Hymns to Hiphop
  • Multimedia
  • 48in x 48in x 1.5in

Artist Statement:

My work confronts the structure and function of the Self. I explore the nature of being as it relates to Black women’s wisdom traditions, our music, writing, and relationship to the infinite. The figures in my work are embodiments of self-possession, intuition, discernment and self-fertilization. I merge traditional oil painting materials like canvas and pastels with beads, shells, tempered glass and fabric to create tapestry paintings that personify energy, most recently through the lens of the 7-chakra energy system. These works suspend from hand-forged iron hooks shaped like spirals, serpents, and vulva flowers, fabricated by artist and blacksmith Patricia Lyons. 

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