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PS Spencer: “Diamonds and Pearls”

2025 , BHMVA

PSSpencer

 

Most people know me as PS-IM-DOPE, or PS (my initials, short for Princess Spencer). I consider myself a multi-hyphenate of sorts: illustrator, graphic designer, creative director, hip hop enthusiast. 

I went to college…and then I dropped out. Only a few weeks later, at 21, I worked with 9th Wonder, art for Kendrick Lamar for Coachella, and my most notable project: Wale’s sophomore album, Ambition. 

I went on to move to New York in 2014, as a designer at Complex and continuing as a designer at other agencies with a focus on marketing, branding, and partnerships, and have continued working within that field for companies like production school, Sound Collective and digital media brand, The Shade Room. 

Even with my full time work, I’ve worked freelance doing illustration work including The New York Times, making their best of Year of Illustration 2021, and an illustration of Kamala Harris for the cover of Bloomberg Businessweek. I also run my passion project, A Dope Concept. I’m passionate about projects in music, media, streetwear and black culture as well as projects centered on minority voices. 

  • Hymns to Hiphop
  • 48in x 48in x 1.5in

Artist Statement:

Like diamonds, hip hop emerged under pressure to create a rarified thing of pure excellence” - Vikki Tobak 

From bamboo earrings to oversized clock medallions, Rolex watches and rainbow colored grills, the Hip Hop experience is not complete without adornment. Adornment is woven into the Black diaspora’s history, associated with status, identity, as well as identifiers of affiliation. Pusha T (one half of the legendary Clipse) has created a lane as a storyteller, through his lyrics and style. Pusha T's choice of fashion has become a representation of not only himself and his growth, from the days of tall tees, oversized chains to the beautiful complexities of rare gem-filled grills and tailored suits embellished with pearls, but his lyricism. This piece is a representation of adornment and status in the Black experience, the history of our people from homeland and ownership of our history of going from 'whips and chains to whips and chains'. 

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